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Sunday, May 3, 2026

Madama Butterfly 101 – Q&A with Asuka Morinaga Derfler


Right this moment marks the primary day of Asian American and Pacific Islander Heritage month, and Madama Butterfly opens tomorrow! This manufacturing of Madama Butterfly is particular for lots of causes, one in all them being our Cultural Advisor, Asuka Morinaga Derfler. An skilled actor in Japan and the U.S., Asuka brings a novel perspective that enables this manufacturing to be grounded in actual Japanese custom and practices. Having labored with Director Mo Zhou earlier than, Asuka’s work strengthens and informs each facet of this manufacturing. You may also watch Asuka speak about collaborating with us in this brief video.

Get tickets to Puccini’s Madama Butterfly this Might 2, 5, 7, 8, and 10 on the Ellie Caulkins Opera Home.

Having been born in Japan and constructed your profession each there and within the U.S., how does that twin perspective, and your personal private experiences, form the best way you method your position in Madama Butterfly?

Asuka in costume for performances of Ōoka Echizen (大岡越前) on the Kyoto Uzumasa.

I consider that realizing Japanese tradition by means of me or my private tales may be very totally different from studying about it in books or watching motion pictures. After I clarify our tradition or sure actions, I at all times share my private tales. I would love the performers and people concerned with the manufacturing to really feel extra deeply and to be interested in it, and to not simply consider it as a narrative from a faraway land. I additionally work intently with the wardrobe crew, who put in a lot effort in collaborating with me. I’m grateful to everybody who has been asking me detailed questions with respect, and I consider that it provides extra depth to the present.

 

On this manufacturing, you’re specializing in motion and bodily element. What are a few of the cultural nuances, like posture or gestures, that audiences won’t consciously discover, however that deeply have an effect on how the story is instructed?

Asuka in costume for performances of Mito Kōmon (水戸黄門) on the Kyoto Uzumasa.

When sporting a kimono, an individual makes use of totally different muscle groups in in comparison with sporting their garments. There’s a phrase for this in Japanese, and we name it Shosa 所作 (しょさ). Shosa refers back to the basic motion civilly and consideration that seems in every day actions and conduct, and it’s not only a motion, it’s an act that entails the dignity and tradition of the particular person.  Learn how to bow, the best way to stroll, the best way to sit. In opera, I consider the smallest particulars dictate the best truths. There’s a profound distinction between merely sporting a kimono and mastering Shosa. Once we method these actions with real information and cultural respect, it provides a psychological depth that makes this manufacturing really particular.

 

As somebody who can be an actor, how does that affect the best way you’re employed with performers once you’re providing steering or changes?

Aerial view of the Kyoto Uzumasa. By Maksym Grinenko.

In Japan, I carried out in jidaigeki (時代劇) that are Japanese historic dramas accomplished on the Kyoto Uzumasa (京都太秦), a historic movie set and theme park. These jidaigeki have been set within the Edo-period of Japan (1603-1868), an period outstanding in movies like Kurosawa’s motion pictures (enjoyable reality, lots of the actors at my theater firm, Haiyuza, have been in Kurosawa’s motion pictures!). Due to my expertise on the Kyoto Uzumasa, I’m used to adjusting my performing type to particular time intervals, just like the Rokumeikan period, which Mo Zhou selected for this manufacturing. The eye to element we practiced as actors actually knowledgeable what I deliver as a Cultural Advisor. I’m able to present some actions by my performing reasonably than simply explaining by phrases. I additionally ask performers to share the kind of emotions they’ve in the intervening time and what they’re saying. In such a case, I can even add some performing reasonably than simply fundamental actions.

What do you hope audiences really feel once they see this manufacturing?

I really feel that there are such a lot of tales and feelings throughout the present. These embody pleasure, loyalty, dignity, conventional cultures, household, wrestle, ache, hope, and extra. I hope that everybody can take one thing away from this expertise and really feel that of their coronary heart. That’s what a reside efficiency can deliver to folks.

 

See Madama Butterfly come to life. Get tickets now. >>

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