Triune Leisure’s manufacturing of DreamWorks’ The Prince of Egypt delivers an emotional retelling of the Exodus story, balancing spectacle with honest storytelling. Whereas the musical carries the load of its animated predecessor, the stage adaptation proves that the fabric can achieve a theatrical setting when approached with reverence and creativeness. Composer Stephen Schwartz (Depraved, Godspell, Pippin) reunited with e book author Philip LaZebnik to transform the award-winning movie right into a two-act construction for the stage. Triune Leisure is the primary within the Washington, DC, area to provide the newly tailored manufacturing.
Audiences are doubtless already acquainted with at the very least one depiction of Moses, whether or not or not it’s Charlton Heston from the movie The Ten Commandments, Larry the Cucumber from VeggieTales, or DreamWorks’ The Prince of Egypt. Moses is a primary instance of God calling unlikely individuals to turn into leaders, as Moses was known as being “gradual of speech and gradual of tongue” (Exodus 4:10), and he usually struggled together with his calling and often argued with God. Nonetheless, God used Moses to steer the Hebrews out of their enslavement in Egypt.

From the opening moments, the staging makes use of theatrical creativity to evoke places reasonably than overwhelm with literal realism. Scenic transitions are fluid, permitting the narrative to maneuver briskly from palace intrigue to religious awakening. Costume design by Amber Kiffney additionally performs a robust position in shaping the present’s environment, shifting from the opulence of Egypt’s courtroom to the nice and cozy earth tones as Moses begins to confront his identification and future.
On the coronary heart of the story is the connection between Moses and Ramses. The actors painting their brotherhood with heat and camaraderie, which makes their eventual ideological divide way more tragic. Andreas Moffett as Moses instructions the stage together with his spectacular vocals and heat. The position requires each vulnerability and authority, and his efficiency navigates the steadiness successfully. Luke Tessier as Ramses demonstrates a full vary of appearing together with his character arc from loving brother to conflicted Pharoah. Quite than presenting the characters as a easy protagonist and antagonist, the staging reveals them to be sympathetic figures caught in circumstances bigger than themselves.
The musical’s rating stays its biggest power and the gifted solid rises to the monumental process. The standouts of the evening for me had been “Ship Us” led by Katy Benko Miner as Yocheved and “Via Heaven’s Eyes” led by Paul Correll as Jethro, each supported by an ensemble that understands the ability of collective storytelling. The perfect-known track of the present is the inspirational “When You Imagine” led by Jessica Foy Lengthy as Miriam and Jennalee Allen as Tzipporah. Lengthy and Allen’s performances are persistently shifting all through the story, however their highly effective voices are on full show on this quantity. The choral sections particularly are expertly carried out, with credit score to music director Catie Moore and vocal part leaders Mandy Viles, Katy Benko Miner, Paul Correll, and Doug White.

The big ensemble is utilized to nice impact, each as massive crowds and as smaller troupes all through the piece. Giant crowd sequences are choreographed with readability and goal, serving to keep narrative focus even throughout the musical’s most visually busy moments. As an alternative of turning into chaotic, these scenes reinforce the story’s scale whereas nonetheless directing consideration to the characters driving the motion. My favourite side of this manufacturing is the moments designed by choreographer Christie Dubnansky that includes the dance corps of Ava Botros (dance captain), Katya Colebank, Lilly Glass, Simone Beth’el Hume, Hilary Pierce, Tj-Yuxin Music, Gabrielle Tessier, and Eric Alexander Wolpert. The troupe created a number of stunning visible storytelling moments, together with the chariot race by means of the market, the burning bush, and the parting of the Pink Sea.
One of the vital difficult parts of staging The Prince of Egypt is portraying its biblical miracles. With out revealing any spoilers, Triune approaches these moments with ingenuity, and the consequence may be very efficient, serving to protect a way of marvel with out breaking the viewers’s suspension of disbelief.
Triune Leisure’s The Prince of Egypt succeeds as a result of it treats its supply materials with sincerity reasonably than spectacle. Director Matt Moore proves that the story’s energy lies not simply in its miracles, however in its exploration of identification, religion, management, and brotherhood. The result’s an formidable community-driven manufacturing that captures the center of a narrative that continues to resonate for generations to come back.
The Prince of Egypt performs by means of March 22, 2026, introduced by Triune Leisure, acting at Journey Theater, 4175 Bludau Dr, Warrenton, VA. Tickets ($25 for adults, $22 for college students and seniors) could be bought on-line.
Forged and artistic credit are on-line right here (scroll down).
The Prince of Egypt
Music & Lyrics by Stephen Schwartz
E-book by Philip LaZebnik
CAST
Moses: Andreas Moffett
Ramses: Luke Tessier
Tzipporah: Jennalee Allen
Miriam: Jessica Foy Lengthy
Nefetari: Jennifer Ayers
Jethro: Paul Correll
Tuya: Renee De Ponte
Seti: Brad Broemmel
Hotep: Sean Pflueger
Yocheved: Katy Benko Miner
Aaron: Joseph Allen
Keturah: Caroline Gaitonde
Leah: Lydia Gaitonde
Younger Miriam: Camille Edwards
Hebrew Soloist: Lucy Underwood
Dance Captain: Ava Botros
Younger Moses: Simon Wolpert
Dance Ensemble: Katya Colebank, Caroline Gaitonde, Lilly Glass, Simone Hume, Hilary Pierce
Vocal Ensemble: Robert DeBroeck, Presley Miner, James Moore, Marlee Ratcliff, Lucy Underwood, Sarah Pesce, Mandy Viles, Lucia Mattson, Doug White|
World Builders: Eric Black, Elijah Kiffney, Val Kuperman
