Ever since I noticed the movie premiere in Park Metropolis, I needed to ask you this query, as a result of I used to be simply floored, so delighted by the ending. It actually made the entire thing come collectively for me, particularly using The Verve’s “Bitter Candy Symphony.” I began punching the air after I began listening to these notes. What was the choice that led to that needle drop? Was there ever stress or fear of like, “Ought to we be utilizing a Charli music as a substitute?”
I am so glad you requested this query, as a result of one, I am actually grateful that the ending landed for you want that. It made me actually comfortable. However yeah, so okay, there’s a few actually … I am actually glad you requested about this. There’s a few causes that I feel “Bitter Candy Symphony” was the proper ending to it. One, humorous sufficient, “Bitter Candy Symphony” has sort of been … I imply, I’ve cherished that music for therefore lengthy. I’ve cherished the music video for therefore lengthy. The Walter Stern music video. It is an unimaginable video. Humorous sufficient, that video was one of many primary references I had for “360,” the music video, the place it is like somebody strolling with a horrible perspective, you understand what I imply? Unbothered with the world round them. And really I did dial rather a lot into that. I’ve by no means truly received to inform anyone that, however that was one in all our key references for “360.”
So it was one thing that I held behind my head as a little bit of ethos for the “Brat” perspective, you understand what I imply? However then down the road once we had been fascinated with it once more, there’s another causes […] I really feel prefer it’s a video the place London is introduced in a extremely cool approach. And I’d all the time refer again to it after I was speaking to Sean about, “I like the best way London appears on this music video, that it appears sort of a bit messy and dirty.” In order that was additionally one other reference for us there.
Then after I truly got here to [“The Moment”] ending, I feel “Bitter Candy Symphony,” it is such a large, huge observe that it is clearly a cool and emotional music, however then it is had this expertise in life the place it is develop into so huge that it is moved by means of eras of being extraordinarily cool, to then being overplayed, to being cool once more. And it is sort of skilled all these lives, the place it form of moved past being sort of common in the identical approach.
The opposite factor that I believed was very fascinating is that for a really very long time, The Verve weren’t in a position to make any cash off of that observe in anyway, as a result of it used this pattern from The Rolling Stones. And I believed this was such an fascinating tie to the concept of the possession of artwork and who owns artwork, and it weirdly tied so thematically to our movie. So placing that on the finish there, I feel it sort of summed up a number of the primary themes of our film. We had been in a position to get rights to it as a result of I feel it was solely a few years in the past, they had been truly in a position to, once more, get rights to the observe and be capable of get royalties off of it. Charli wrote a letter to Richard Ashcroft, and he was actually comfortable for us to make use of the music, which was actually cool.
Yeah, it is a tremendous emotional observe, and it is also received this sort of curse of being so overplayed and so within the zeitgeist, but in addition outdoors of it. After which clearly that sort of humorous relationship with possession, which is what we play with in our movie. Equally, once we go to A.G. [Cook]’s remix of “I Love It,” once more, that is the one different sort of needle drop within the movie. However it’s once more, a music which has had the identical sort of relationship with artistic possession. Charli wrote this music for Icona Pop. It was an Icona Pop music for a really very long time. Now it is sort of Charli’s music once more, however it’s all a bit muddy and a bit wooly. So I believed it was actually cool to have these two tracks again to again which have had this humorous life and relationship with credit score, artistic possession, that sort of factor. And likewise, we did suppose it was cool that there is by no means … all music within the movie is both rating, both A.G.’s rating or it is Charli practising a observe, so it is barely heard diegetically. I believed it was sort of cool to complete on a music that wasn’t hers. It was additionally one other sort of like — what is the phrase I am searching for — a sort of emancipation from “Brat.” [laughs]
“The Second” is in theaters now.
