Launched 30 December as the ultimate entry in Doechii’s Swamp Classes sequence, “woman, rise up.” wastes no time getting straight to the purpose.
Jay Versace’s manufacturing borrows the rhythm and bounce from Birdman and Clipse’s “What Occurred to That Boy,” nevertheless it’s been stripped again, leaving solely the important components.
These immediately recognisable Neptunes drums hit with that very same head-nodding groove, however the association feels intentionally spacious, nearly druggy in its restraint.
The beat sits someplace between meditation tape and confrontation anthem. Synths drift out and in with a woozy, hypnotic high quality while the percussion retains every little thing locked in place. It’s not making an attempt to do an excessive amount of.
The manufacturing breathes, creating room for Doechii to truly say what she must say slightly than simply trip the beat.
SZA handles the refrain with that trademark breathy supply: “I be within the again, levitating / Doing meditation, go away me, woman, rise up.”
She sounds fully unbothered, already transcended, already above no matter drama is taking part in out within the verses.
The “woman, rise up” chorus works as each mantra and dismissal. It’s the sort of factor you’d say to your self within the mirror earlier than strolling right into a room full of people that’ve been speaking about you.
Doechii opens the monitor portray an image: “Sippin’ my kombucha on a rooftop / Smokin’ blue dream on my karma sutra.”
She’s setting the scene earlier than she tears into the actual topic at hand. By the second verse, the gloves are off. “All that trade plant shit whack / I see it on the blogs, I see you within the chats,” she raps, instantly addressing the drained accusations which have adopted her rise.
Then comes the road that cuts deepest: “However what’s the agenda when the it woman Black?” It’s a query that exposes the actual discomfort individuals have together with her success.
When the face of the second is a dark-skinned girl who refuses to play by the same old guidelines, all of a sudden everybody turns into a forensic accountant of authenticity.
Doechii isn’t curious about defending herself. She’s declaring that the scrutiny itself is the issue.
She continues dismantling the double requirements: “They calling me the mind amongst the pussy rap / I nonetheless be popping pussy, them my sisters, so I can’t agree with that.”
The bars refuse the false alternative between being sexually specific and being good. Doechii can do each. The concept that she has to select one diminishes not simply her however each girl rapper who’s ever confronted the identical reductive framing.
Later, she guarantees to handle the misogyny correctly on her album (“These niggas misogynistic, I’ll deal with it on the album”), however for now she’s specializing in the rapid: “Y’all can’t fathom that I work this tough / Y’all can’t stand my vibe ’trigger I’m anointed.”
The boldness isn’t bravado. It’s earned. As she notes elsewhere within the monitor, “I did eight years of failing plus a variety of chilly winters.” This didn’t occur in a single day, it doesn’t matter what the blogs wish to declare.
The monitor works as a result of Doechii and SZA perceive the task. That is their second collaboration after 2022’s “Persuasive,” and the chemistry has matured.
You may additionally like:
The place that earlier monitor was flirtatious and playful, “woman, rise up.” feels extra purposeful. SZA gives the zen framework while Doechii handles the specifics. Neither artist oversells their half. The restraint is what makes it land.
What’s most putting in regards to the tune is its timing. Doechii ends 2025 with 5 Grammy nominations for “Nervousness,” together with Report and Tune of the 12 months. She’s gained a Grammy already for Greatest Rap Album.
She carried out at Glastonbury. She’s finished two North American excursions. The trade plant accusations should not simply improper, they’re absurd. However the web isn’t at all times curious about details when a story is juicier.
“woman, rise up.” capabilities as a line within the sand earlier than the album marketing campaign correctly begins. She mentions the mission is already completed (“The album six months previous, it want a fuckin’ babysitter”), which suggests that is much less a lead single and extra a clearing of the decks.
Get all of the noise out of the way in which now so the precise work can communicate for itself.
The video, directed by James Mackel, retains issues minimal. Doechii on a yacht, Doechii on a stadium rooftop.
The visuals prioritise her presence over idea. It’s becoming for a monitor that’s basically about being seen on her personal phrases.
At simply over three minutes, “woman, rise up.” doesn’t overstay its welcome. It makes its level and exits. The manufacturing’s minimalism ensures the main target stays on Doechii’s verses and SZA’s refrain.
There’s nothing extraneous right here, no second that looks like filler. It’s a assured report from two artists who don’t have anything left to show however are going to inform you about themselves anyway.
