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Tuesday, September 8, 2026

From Stage to Spotify Charts: Why Comp Dancers Make Nice Musicians


For a lot of, dance isn’t the end-all and be-all, however fairly a pipeline to inventive freedom and exploration throughout industries—together with music. This was abundantly clear within the late Nineteen Eighties by means of the 2000s, when pop-music icons like Britney Spears, Jennifer Lopez, and Janet Jackson made dance a defining a part of their identities, proving that each types of artistry might coexist superbly.

However within the years that adopted, the dancer-singer picture dwindled, taking a backseat to the Disney-Channel-sitcom-to-pop-star route that gave us Hilary Duff, Selena Gomez, and Demi Lovato. (Although who might overlook these basic “Disney knees”?)

An thrilling resurgence has now begun effervescent throughout the {industry}, nonetheless, with dancers like GiaNina Paolantonio, Christina Ricucci, Mackenzie “kenzie” Ziegler, and Coco Quinn shifting their sights from the stage to Spotify charts. And there’s Tate McRae, after all, whose dancer-to-singer journey is one which’s made worldwide headlines.

Whereas not all of those artists proceed to make dance a part of their musical identities, their dance backgrounds have supplied them with distinctive and plain abilities. So what about these competitors icons we’ve come to know and love has ready them to dive into pop-music stardom?

Artists by Nature

Dancers aren’t any strangers to having all eyes on them, even when the strain is excessive and the storytelling feels deeply private. That consolation with vulnerability interprets into genuine songwriting and singing.

“Dancers are very assured, outgoing individuals, and that’s actually formed me into being the right human to be thrown into one other style of artwork,” says Paolantonio, whose dance credit span Broadway, The Best Showman, “Dance Mothers,” and touring with Mariah Carey. She launched three singles—“I See It,” “Ought to’ve Recognized Higher,” and “Drifting”—earlier this 12 months.

“If you dance, you at all times join [the movement] to your individual life,” Paolantonio continues. “Even in the event you’re doing another person’s steps, there’s at all times a soul second.” She feels that naturally translate into music, the place truthful storytelling is vital to creating lyrics that ring a bell.

In front of a dark brown backdrop, GiaNina Paolantonio stands with one hip popped, one hand on her waist and the other resting on her neck. She wears tall black boots and a short maroon romper that shimmers.
GiaNina Paolantonio. Picture by Monsée, courtesy Anderson Group PR.

A Dancer’s Ear

Each Paolantonio and Ricucci, one other former comp-circuit famous person, spent their childhoods uncovered to all types of music and mixing tune and motion, which outfitted them with particular abilities. (Paolantonio’s childhood experiences in musical theater on Broadway and in The Best Showman helped her bridge the hole from dancer to recording artist.)

“As a dancer, you need to be taught to adapt to the choreographer’s ear,” says Paolantonio. When writing music, that have helps her know what to ask for, like including extra “and” counts, and when. “Having a dancer’s ear is basically sick in a room that’s not stuffed with dancers,” she provides.

Ricucci, whose single “Magnum Opus” dropped in July, agrees: “As a choreographer or dancer, you discover all these further little sounds which might be tucked away, and you’ll convey them to the floor extra [when writing music].” Lyrics add one other layer to that, she says, particularly when the precise phrases are paired with the precise sounds. That nuanced appreciation permits Ricucci to, as a dancer, dig deeper right into a tune’s hardwiring, and as a songwriter, perceive the significance of a fancy, resonant melody.

“Sonically talking, when you find yourself within the course of of making your individual tune, you see how a lot of a labor of affection goes into [every detail],” she says. “It makes you hearken to music so otherwise.”

In a large room with Americana decor, two siblings sit on stools and play guitars together.
Christina Ricucci singing along with her brother, Robbie. Picture by Michael Naizu, courtesy Ricucci.

Ensemble Work

One other vital talent that competitors and industrial dancers possess is knowledgeable collaboration. From studying learn how to be a precious teammate to understanding timing and the larger image, partnership fuels dance artists of every kind. That’s key within the music studio when, between writers, producers, brokers, and extra, there’s usually no single voice that brings a tune to life.

Each Paolantonio and Ricucci function with open minds, bringing abilities and values they’ve acquired as dancers, like versatility and teamwork, into their music careers. “[I’m excited to] collaborate with artists who encourage me creatively, in no matter type it might be,” says Ricucci, who usually works along with her music-producer brother. Their consolation with one another, she says, makes for sturdy synergy.

A New Picture

Whereas the pipeline of dancer to recording artist could seem easy—industry-wise, the 2 intersect usually—the problem for these multi-hyphenates usually has to do with identification. In dance, early careers and resumés are sometimes molded by the choreographers that form them. However what occurs when dancers clutch a brand new kind of clay?

“I don’t need to be cornered right into a music area of interest, style, or model, as a result of that’s not who I’m as an individual,” Paolantonio explains. As a multifaceted artist, “I don’t need to turn into ‘simply one other.’ ”

In a dark room, two dancers perform a contemporary pas de deux in street clothes. Christina Ricucci does a tilt with her bottom leg bent, and her partner stands behind while holding her top ankle and wrapping his other arm around her waist.
Ricucci in a nonetheless from her “Magnum Opus” music video, with Christian Smith. Picture by Nick Mahar, courtesy Ricucci.

Each she and Ricucci have moved into their music careers slowly. It took time for Ricucci to get better—each bodily and mentally—from an sickness that took her out of full-time dance. “It took me, truthfully, up till this 12 months to really feel absolutely healed and assured sufficient to develop into the opposite artwork varieties I’ve at all times needed to do,” she says. “Now, it feels rather more real to who I’m immediately.”

For Paolantonio, her musical evolution has concerned testing out tasks and types she resonates with, fairly than leaping into bins that don’t fairly match. It’s a course of—however that’s the great thing about it, she says: discovering “excellent.”

Dance Abilities, Life Abilities

A childhood in dance can lay the muse for a lifetime of knowledgeable storytelling. For a lot of, that naturally interprets into writing music, whereas others might take these abilities into equally extraordinary fields. The by means of line, nonetheless, is that an upbringing on the stage offers artists with core necessities for fulfillment: collaboration, confidence, and a eager ear for what resonates with others.

It’s these qualities that make dancers naturally iconic pop stars—and as a brand new period of artists is now breaking floor, we at Dance Spirit can’t wait to maintain listening.



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