Olga James, an actress and operatic soprano whose profession highlights occurred almost again to again within the mid-Nineteen Fifties — as Harry Belafonte’s jilted girlfriend within the all-Black musical movie “Carmen Jones” and as Sammy Davis Jr.’s love curiosity within the Broadway present “Mr. Fantastic” — died on Jan. 25 in Los Angeles. She was 95.
Her demise, in an assisted dwelling facility, was confirmed by her niece Janet Adderley.
Ms. James had carried out with an opera firm in France and in a well-liked musical revue in Atlantic Metropolis, N.J., when her supervisor, Abe Saperstein — the basketball impresario behind the Harlem Globetrotters — landed her an audition in 1954 for “Carmen Jones,” the film model of Oscar Hammerstein II’s hit 1943 Broadway replace of Georges Bizet’s opera “Carmen.” The opera is ready in 1820s Spain; the setting of the movie, like that of the Broadway musical, is the American South throughout World Warfare II.
Auditioning for the position of Cindy Lou, whose boyfriend, Joe (performed by Mr. Belafonte), a soldier headed for flight faculty, is seduced by Carmen (Dorothy Dandridge), a employee in a parachute manufacturing unit, Ms. James sang an aria on the Alvin Theater (now the Neil Simon Theater) for Otto Preminger, the movie’s imperious director.
“It wasn’t a stretch for me,” she was quoted as saying in “Otto Preminger: The Man Who Would Be King” (2007), by Foster Hirsch. “I used to be that character, a country-looking woman. I used to be just a bit ingénue.”
She gained the position. “Carmen Jones” could be her first film — and her final.
Of the movie’s three lead performers, solely Ms. James did her personal singing; Mr. Belafonte’s and Ms. Dandridge’s songs had been dubbed as a result of they may not sing in an operatic vary.
Ms. James gained reward for her efficiency. Writing in The New Pittsburgh Courier, Izzy Rowe mentioned she “creates a reputation for herself nationally with this one efficiency.” Mae Tinee of The Chicago Tribune known as her portrayal of Cindy Lou “the distillation of straightforward goodness.”
The present — with music and lyrics by Jerry Bock, Larry Holofcener and George Weiss — ran for 383 performances. Ms. James quickly left for a tour of Europe, the place she was lauded for her singing in nightclubs and on tv.
“Miss Fantastic is really great,” The Related Negro Press, a wire service, wrote.
Olga James was born on Feb. 16, 1929, in Washington. Her mom, Lucille (Smith) James, was a singer and a dancer, and her father, Ralph, was a saxophonist. After they divorced when she was younger, Olga was raised by a grandmother.
Ms. James, whose singing was heard on native radio when she was a baby, obtained a scholarship to the Juilliard Faculty and graduated in 1952 with a bachelor’s diploma in voice.
Regardless of being in important initiatives like “Carmen Jones” and “Mr. Fantastic,” Ms. James was by no means in one other function movie or Broadway present. She had come of age at a time when only a few Black performers discovered a simple path to success.
Donald Bogle, an authority on Black cinema historical past who interviewed Ms. James for his 1999 guide, “Dorothy Dandridge: A Biography,” mentioned in an interview: “Hollywood didn’t have a spot for Olga. The identical was true of Dorothy. She obtained an Oscar nomination” — for “Carmen Jones” — “however the business didn’t have a spot for her.”
Debra Martin Chase, a movie, TV and theater producer who was a pal of Ms. James’s, mentioned in an interview: “She went to Juilliard when Black individuals didn’t go there. She was stunning. She had a stunning voice. She had all this expertise. However there have been no roles.”
Her profession superior considerably beneath the radar.
She sang in a present known as “Sepia Revue” with Mr. Belafonte, Ms. Dandridge and different Black performers, after showings of “Carmen Jones” in Spokane, Wash., and Portland, Ore., in 1956. She additionally appeared in “A Raisin within the Solar” in London; performed nightclub and live performance dates; and portrayed Tuptim, a rebellious younger lady offered as a present to the despotic king of Siam, in a tour of the Rodgers and Hammerstein musical “The King and I” in 1963.
In a recurring position, she performed the sister-in-law of Invoice Cosby’s character on his first sitcom, “The Invoice Cosby Present,” from 1969 to 1971. She additionally performed roles in theatrical productions staged by the Internal Metropolis Cultural Heart in Los Angeles within the Sixties and ’70s.
Annoyed with the unpredictability of her performing profession — and the racism behind it — she seemed to a profession in counseling instead, her niece Ms. Adderley mentioned. She began coaching as a therapist in 1983; earned a grasp’s diploma in psychology from Antioch College Los Angeles in 1989; and handled shoppers for a number of years.
Along with Ms. Adderley, an actress and performing trainer, Ms. James is survived by one other niece, Alison Adderley, and a nephew, Nat Adderley Jr., a composer, arranger and keyboardist.
Close to the tip of “Carmen Jones,” Ms. James demonstrated her power as an actress — and hinted on the star that she might need been — when she sang a lament for shedding Joe to Carmen. The digital camera barely moved as she gave an emotional studying of “My Joe.” She sang, partially:
He obtained hisself one other lady.
Did she really feel his arms throughout her.
No, Lord, I can’t imagine it’s so.
No! No! Don’t you let her hold my Joe.
Make him throw her again the place he discovered her!
Joe! You mentioned that each your arms was mine.
